Salvador Dali Barcelona Mannequin painting

Salvador Dali Barcelona Mannequin paintingJoseph Mallord William Turner Portsmouth paintingJoseph Mallord William Turner The Slave Ship painting
seemed to depend like a giant young brother for the completion of its growth. It was they, under Max's directorship, who taught WESCAC how to EAT. . .
"Imagine a big young buck," Max said: "he's got wonderful muscles, and he knows he could jump the fence and kill your enemies if he just knew how. Not only that: he knows who could teach him! So he finds his keeper and says he needs certain lessons. Then he can jump out of his pen to charge anybody he wants to, you see? Including his teacher. . ."
WESCAC's former handlers, it appeared, had already taught it considerableresourcefulness ,and elements Tammany ROTC -- had long since instructed it to advise them how they might best defend it (and its bailiwick) against all adversaries. Under the pretext therefore of developing a more efficient means of communicating with its extremities, the creature disclosed one day to Max Spielman that a certain sort of energy given off during its normal activity -- what Max called "brainwaves" -- was theoretically capable of being intensified almost limitlessly, at the same amplitudes and frequencies as human "brainwaves," like a searchlight over was obvious: in great secret the brute and its handlers perfected a technique they called Electroencephalic Amplification and