Thomas Kinkade Footprints in the sand painting

Thomas Kinkade Footprints in the sand painting
Thomas Kinkade Fisherman's Wharf painting
incur considerable danger of receiving his dismissal from it, and this life together. Like the fabled rustic who raised the Devil with infinite pains, and was so terrified at the sight of him that he could ask the Enemy no question, but immediately fled; so, Monseigneur, after boldly reading the Lord's Prayer backwards for a great number of years, and performing many other potent spells for compelling the Evil One, no sooner beheld him in his terrors than he took to his noble heels.
The shining Bull's Eye of the Court was gone, or it would have been the mark for a hurricane of national bullets. It had never been a good eye to see with--had long had the mote in it of Lucifer's pride, Sardanapalus's luxury, and a mole's blindness--but it had dropped out and was gone. The Court, from that exclusive inner circle to its outermost rotten ring of intrigue, corruption, and dissimulation, was all gone together. Royalty was gone; had been besieged in its Palace and `suspended,' when the last tidings came over.
The August of the year one thousand seven hundred and ninety-two was come, and Monseigneur was by this time scattered far and wide.