Chase After the Rain painting

Chase After the Rain painting
Fantin-Latour Flowers in a Bowl painting
Knight Sunny Afternoon on the Canal painting
Heade A Magnolia on Red Velvet painting
them. This tendency he had felt from the first in Madame Olenska. The quiet, almost passive young woman struck him as exactly the kind of person to whom things were bound to happen, no matter how much she shrank from them and went out of her way to avoid them. The exciting fact was her having lived in an atmosphere so thick with drama that her own tendency to provoke it had apparently passed unperceived. It was precisely the odd absence of surprise in her that gave him the sense of her having been plucked out of a very maelstrom: the things she took for granted gave the measure of those she had rebelled against.
Archer had left her with the conviction that Count Olenski's accusation was not unfounded. The mysterious person who figured in his wife's past as ``the secretary'' had probably not been unrewarded for his share in her escape. The conditions from which she had fled were intolerable, past speaking of, past believing: she was young, she was frightened, she was